Monthly Archives: January 2011

ziviler ungehorsam

civil_disobedience
[via falk]

sonntagsfilm 100

Animal Farm:
Britain’s first animated feature, which, despite the title and Disney-esque animal animation, is in fact a no-holds-barred adaptation of George Orwell’s classic satire on Stalinism, with the animals taking over their farm by means of a revolutionary coup, but then discovering that although all animals are supposed to be equal, some are more equal than others…


[direktlink]

sonntagsmusik 100


Matthias Rock (aka NorthernShore) – Deep Chords & Echoes in Space II

[download | .mp3/141:29min/195mb]

Tracklist:
01 DeepChord pres Echospace – Live in Seattle II
02 cv313 – Subtraktive (DeepChord pres Echospace Live Mix)
03 DeepChord pres Echospace – Firefly
04 cv313 – Saraya
05 Echospace – OBMX (cv313 Reduction)
06 Sons of the Dragon – Motor City Matrix
07 DeepChord – Grandbend (Remastered Mix)
08 Variant – Someplace Else
09 Echospace – Sonorous (Unreleased Phase90 Reshape)
10 DeepChord – Untitled
11 Fluxion – Waves (Solar Constant Mix by Rod Modell)
12 DeepChord pres Echospace – Symbolism in Transition
13 cv313 – Subtraktive (The Sight Below Mix)
14 Intrusion – Never Forget
15 DeepChord pres Echospace – Spatialdimension
16 DeepChord pres Echospace – Summer Haze
17 DeepChord pres Echospace – Live in Moscow
18 cv313 – Infinit-1 (Remodeled Remastered Mix)
19 cv313 – Deepspace
20 cv313 – Sailingstars
21 DeepChord pres Echospace – BCN Dub
22 DeepChord pres Echospace – Live in Seattle
23 Intrusion – Intrusion Dub
24 DeepChord pres Echospace – Sub Marine
25 Sons of the Dragon – The Journey of Qui Niu (cv313s the d Mix)
26 DeepChord pres Echospace – Maglev
27 DeepChord pres Echospace – Live in Barcelona
28 DeepChord pres Echospace – Live in Moscow II
29 Brock van Wey – Forever a Stranger (Intrusion Reshape)
30 Intrusion – A Night to Remember

hack the road charge system

hack_road_charge
[via mogreens]

sharing is not piracy

sharing_is_not_piracy
[via exitorange]

schallplattensprachlabor

schallplattensprachlabor

Hier erinnerte es eher an das alte Sprachlabor im Gymnasium. Das hatte geschaetzte 35 Plaetze, wobei jeder Einzelplatz mit einem Schaltpult versehen war: Play, Stop, Vor, Zurueck, Aufnahme, Kontrolle. Zusaetzlich gab es einen Kopfhoerer- bzw. Headsetanschluss. In jeden Einzeltisch war vorne ein Tonbandgeraet eingebaut, welches ueber die aussen liegenden Knoepfe gesteuert werden konnte. Der Lehrer konnte von seinem Pult aus zentral etwas einspielen und jeden Platz gezielt abhoeren bzw. mit dem dort Sitzenden sprechen. Jeder einzelne Schueler konnte daraufhin seine aufgenommene Aussprache mit der Vorlage vergleichen.

[via normcast]

sonntagsfilm 99

Modulations: Cinema for the Ear:
Documentarian Lara Lee, a U.S.-based, Brazilian-born filmmaker, skated through virtual reality, cyber-stimuli, and recreational technologies in her fast-paced Synthetic Pleasures (1995), notable for the memorable “surf’s up” sequence inside a Japanese indoor beach with rolling waves. Where Synthetic Pleasures attempted to explore all aspects of the digital domain, Modulations focuses just on modern music-rave parties, techno dance music, and the history of electronic music (John Cage, Karlheinz Stockhausen, Robert Moog), moving on to ’70s innovators (Kraftwerk, Giorgio Moroder), hip-hop pioneers, and more recent club-scene creators (Prodigy, Moby, Money Mark, Future Sound of London, The Invisibl Skratch Piklz), capturing diverse dance-track styles (house, trip-hop, acidhouse, ambient). The 35mm film brings together archival material, video clips, concert footage, and numerous interviews with musicians.


[direktlink part1]
[part2part3part4part5part6part7part8]

[via electronic-music]